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SMU MA MAEC101– DRAMA I 1st SEM

 

1. Evaluate “Rivals” as a play about society.

Ans: Evaluation of the Rivals as a Play about Society

Richard Brinsley Sheridan’s The Rivals is a brilliant example of 18th-century social satire, presenting an incisive critique of societal norms and behaviours through humour, wit, and exaggerated characters. The play reflects and lampoons the manners, values, and relationships of its time, offering a mirror to society’s follies while entertaining its audience.

 

1. Satire of Social Pretensions and Affectations

Sheridan uses characters like

 

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2. Is “King Lear” a Comedy? Kindly justify your answer.

Ans: No, “King Lear” by William Shakespeare is not a comedy; it is widely regarded as one of Shakespeare’s greatest tragedies. It does not adhere to the structure or tone of a comedy and is instead defined by its somber themes, catastrophic events, and a tragic ending.

Below is a justification for why King Lear is a tragedy rather than a comedy:-

1. Tragic Structure

• The play follows the

 

 

3. Justify “Volpone” as a comedy of humours.

Ans: “Volpone” as a Comedy of Humours

Ben Jonson’s Volpone (1606) exemplifies a comedy of humours, a dramatic genre that Jonson himself popularized in Elizabethan and Jacobean theatre. In this style, characters are dominated by a single personality trait or “humour,” which governs their behaviour and leads to exaggerated, often absurd situations. Volpone incorporates this concept by presenting characters whose actions and motivations are

 

4. Critically analyse the titular character/s from Marlowe’s play in your syllabus.

Ans: Critical Analysis of the Titular Characters in Christopher Marlowe’s Plays

Christopher Marlowe, a key figure of Elizabethan drama, is celebrated for his complex and ambitious protagonists, who often embody the Renaissance ideals of individualism, boundless ambition, and a questioning of moral and theological norms. His titular characters, such as Doctor Faustus (Doctor Faustus) and Tamburlaine (Tamburlaine the Great), exemplify his thematic preoccupations with power, hubris, and human limitations.

Below is a critical analysis of these two key

 

5. “The characters of Flamineo and Vittoria are central to the narrative of the Play”. Justify the statement.

Ans: Justification of the Centrality of Flamineo and Vittoria in the White Devil

John Webster’s The White Devil (1612) is a revenge tragedy that revolves around themes of corruption, ambition, and moral decay. Among its complex characters, Flamineo and Vittoria Corombona stand out as the driving forces behind the narrative. Their ambitions, actions, and moral ambiguity shape the

 

6. Critically analyse the characters Hieronimo and Bel-Imperia.

Ans: Critical Analysis of Hieronimo and Bel-Imperia in the Spanish Tragedy

Thomas Kyd’s The Spanish Tragedy (1587-1590) is a defining work of early Elizabethan revenge tragedy, centering on themes of justice, vengeance, and the destructive effects of corruption. Among its rich cast, Hieronimo and Bel-Imperia stand out as complex and dynamic characters who drive the narrative and embody the play’s central concerns. Both characters are motivated by personal loss