MAEC-204

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MAEC204 LITERARY THEORY AND CRITICISM

 

Q.1 What was Bradley’s debate on the Form versus Subject in terms of criticising poetry?

Ans: A. C. Bradley, a prominent literary critic, approached the debate of Form versus Subject in poetry with an emphasis on the holistic experience of the work rather than isolating either form or subject as singularly dominant. This debate typically centers on whether the structure (form) or the content (subject matter) is more crucial in the evaluation and appreciation of poetry.

Bradley’s Perspective:-

1. Interdependence of Form

 

 

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Q.2 Write a concise commentary on the concept of Pragmatic Orientation by M.H Abrams.

Ans: M.H. Abrams’ concept of Pragmatic Orientation is one of the four critical orientations he outlines in his seminal work, The Mirror and the Lamp. This orientation emphasizes the relationship between literature and its effect on the audience. It views art as a tool to evoke specific responses, such as pleasure, moral instruction, or emotional catharsis. Pragmatic criticism thus evaluates literary works

 

Q.3 Write a brief note on the writing style of Aijaz Ahmad.

Ans: Aijaz Ahmad, a distinguished literary critic, cultural theorist, and Marxist intellectual, is renowned for his incisive and analytical writing style. His works often exhibit a blend of theoretical rigor and an accessible prose that bridges complex ideas with clear articulation. Ahmad’s style is characterized by its polemical edge, as he engages critically with dominant ideologies and prevailing intellectual trends, particularly within postcolonial theory and cultural studie

 

Q.4 Elaborate briefly on the concept of difference introduced by Derrida.

Ans: Jacques Derrida’s concept of différance is central to his philosophy of deconstruction and challenges traditional notions of meaning and presence in language and thought. Coined by Derrida, the term is a play on the French word differed, meaning both “to differ” and “to defer.” Difference highlights how meaning in language is never fixed or fully present but is constantly deferred and produced

 

Q.5 Analyze the idea of polyphony as introduced by Mikhail Bakhtin.

Ans: Mikhail Bakhtin’s concept of polyphony, introduced in his study of Dostoevsky’s works, represents a radical rethinking of narrative and character in literature. Derived from the Greek term meaning “many voices,” polyphony in Bakhtin’s sense refers to a literary structure where multiple, independent voices coexist, each with its own perspective, ideology, and integrity, without being subsumed under the

 

Q.6 What did Freud mean by the ward Uncanny? Elaborate briefly.

Ans: Sigmund Freud’s concept of the Uncanny (Das Unheimliche) explores the psychological experience of something being both familiar and strangely unsettling at the same time. Freud elaborates on this idea in his 1919 essay The Uncanny, where he delves into the roots of this unsettling feeling and its connections to repressed